Raked in the moolah:
The Rs 100-crore club in Bollywood had a significant number of contestants this year. Some were sufficiently unsurprising — When was the last time a Salman Khan discharge didn't make it to the pined for clique? Others, similar to the continuation of Tanu Weds Manu and the move film ABCD2 were wonderful astonishments. Here's a speedy rundown of the considerable number of movies that earned film industry accumulations in abundance of Rs 100 crore:
Bajrangi Bhaijaan: Rs 320 crore
Prem Ratan Dhan Payo: Rs 207 crore
Tanu Weds Manu Returns: Rs 152 crore
Dilwale: Rs 127 crore (at the season of going to press)
Bajirao Mastani: Rs 126 crore (at the season of going to press)
ABCD 2: Rs 105 crore
Practically made it: Baby (Rs 95cr); Welcome Back (Rs 94cr); Singh Is Bliing (Rs 90cr) — figures show all-India accumulations.
Raked in the praise abroad: Masaan, Court and Angry Indian Goddesses
It was a decent year for Indian silver screen on the universal stage. Neeraj Ghaywan's frequenting Masaan first got a five-minute overwhelming applause from the famously hard to-please gathering of people at the Cannes Film Festival; then, it gathered up two prestigious grants — the FIPRESCI, International Jury of Film Critics prize and the Promising Future prize in the Un Certain Regard segment. When it opened in Indian theaters, filmgoers couldn't quit raving about the pitch-immaculate exhibitions by cast individuals like Shweta Tripathi and Vicky Kaushal.
The worldwide press had as of now raved about Chaitanya Tamhane's Court in 2014, however it at long last discharged in India just this April. The dramatization, which exposed the defects of the Indian legal framework, immediately gobbled up the Best Feature Film prize at the 62nd National Awards and was picked as India's official accommodation in the Best Foreign Language Film Category for the Oscars. Court didn't make the polished product, yet its triumph is not the slightest bit decreased.
Container Nalin's Angry Indian Goddesses was named "India's first female amigo film" and at the Toronto International Film Festival, the film was the first runner-up for the People's Choice Award. On the home front, be that as it may, it kept running into issue with cut cheerful edits, which needed certain "disrespectful references" cut out.
Additionally welcomed
These movies didn't do super bucks business, yet for filmgoers, they absolutely represented the best movies of 2015. Littler movies like Badlapur, Talvar, Titli and Manjhi were high on power and authenticity and left the opposition in the dust as far as their realistic quality.
Badlapur displayed an inconspicuous aspect of Varun Dhawan while Talvar shone a focus on the exasperating truths of the Aarushi Talwar murder case, instead of its drama.
Bajirao Mastani was among the few Rs 100-crore hits to additionally get basic thankfulness this year, with the greater part of the praise coming in for Ranveer Singh's down to business depiction of Peshwa Bajirao. Sweet achievement without a doubt for the cast and executive Sanjay Leela Bhansali.
Frustrated: Bombay Velvet, Jazbaa, Shaandar and Shamitabh
These should be the enormous movies of 2016. Bombay Velvet was Anurag Kashyap's work of affection, it was the film that should set Ranbir Kapoor's vocation back on track. Rather, Bombay Velvet bit the dust.
So did Shaandar — after its promos opened to extraordinary buzz. Shahid Kapoor and Alia Bhatt's science appeared to be adorable, and the film itself particular, however Vikas Bahl's second film after Queen experienced a frail script and lost the plot in the cinematic world. Aishwarya Rai Bachchan's tremendously vaunted rebound, Jazbaa, turned out to be a moist squib, while Shamitabh — which united the hit pair of R. Balki and Amitabh Bachchan — additionally
The Rs 100-crore club in Bollywood had a significant number of contestants this year. Some were sufficiently unsurprising — When was the last time a Salman Khan discharge didn't make it to the pined for clique? Others, similar to the continuation of Tanu Weds Manu and the move film ABCD2 were wonderful astonishments. Here's a speedy rundown of the considerable number of movies that earned film industry accumulations in abundance of Rs 100 crore:
Bajrangi Bhaijaan: Rs 320 crore
Prem Ratan Dhan Payo: Rs 207 crore
Tanu Weds Manu Returns: Rs 152 crore
Dilwale: Rs 127 crore (at the season of going to press)
Bajirao Mastani: Rs 126 crore (at the season of going to press)
ABCD 2: Rs 105 crore
Practically made it: Baby (Rs 95cr); Welcome Back (Rs 94cr); Singh Is Bliing (Rs 90cr) — figures show all-India accumulations.
Raked in the praise abroad: Masaan, Court and Angry Indian Goddesses
It was a decent year for Indian silver screen on the universal stage. Neeraj Ghaywan's frequenting Masaan first got a five-minute overwhelming applause from the famously hard to-please gathering of people at the Cannes Film Festival; then, it gathered up two prestigious grants — the FIPRESCI, International Jury of Film Critics prize and the Promising Future prize in the Un Certain Regard segment. When it opened in Indian theaters, filmgoers couldn't quit raving about the pitch-immaculate exhibitions by cast individuals like Shweta Tripathi and Vicky Kaushal.
The worldwide press had as of now raved about Chaitanya Tamhane's Court in 2014, however it at long last discharged in India just this April. The dramatization, which exposed the defects of the Indian legal framework, immediately gobbled up the Best Feature Film prize at the 62nd National Awards and was picked as India's official accommodation in the Best Foreign Language Film Category for the Oscars. Court didn't make the polished product, yet its triumph is not the slightest bit decreased.
Container Nalin's Angry Indian Goddesses was named "India's first female amigo film" and at the Toronto International Film Festival, the film was the first runner-up for the People's Choice Award. On the home front, be that as it may, it kept running into issue with cut cheerful edits, which needed certain "disrespectful references" cut out.
Additionally welcomed
These movies didn't do super bucks business, yet for filmgoers, they absolutely represented the best movies of 2015. Littler movies like Badlapur, Talvar, Titli and Manjhi were high on power and authenticity and left the opposition in the dust as far as their realistic quality.
Badlapur displayed an inconspicuous aspect of Varun Dhawan while Talvar shone a focus on the exasperating truths of the Aarushi Talwar murder case, instead of its drama.
Bajirao Mastani was among the few Rs 100-crore hits to additionally get basic thankfulness this year, with the greater part of the praise coming in for Ranveer Singh's down to business depiction of Peshwa Bajirao. Sweet achievement without a doubt for the cast and executive Sanjay Leela Bhansali.
Frustrated: Bombay Velvet, Jazbaa, Shaandar and Shamitabh
These should be the enormous movies of 2016. Bombay Velvet was Anurag Kashyap's work of affection, it was the film that should set Ranbir Kapoor's vocation back on track. Rather, Bombay Velvet bit the dust.
So did Shaandar — after its promos opened to extraordinary buzz. Shahid Kapoor and Alia Bhatt's science appeared to be adorable, and the film itself particular, however Vikas Bahl's second film after Queen experienced a frail script and lost the plot in the cinematic world. Aishwarya Rai Bachchan's tremendously vaunted rebound, Jazbaa, turned out to be a moist squib, while Shamitabh — which united the hit pair of R. Balki and Amitabh Bachchan — additionally
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